
It's

Erling Wold and Lynne Rutter's wedding at

Slavonia Hall in

San Francisco --

a beautiful, independent, and original ceremony, with music of the composer-groom performed by an excellent duo of soprano and clarinetist

Rachel Condry. The sumptuous spread includes a

self-portrait bar and the congeniality of

John Duykers (renowned tenor of Nixon in China, Wozzeck, Mordake, Sub Pontio Pilato), Melissa Weaver (amazing director of Serial Murdress),

Paul Dresher (of Ensemble / Electro-Accoustic Band fame),

Jim Cave (director par excellence of Erling and Lisa Scola Prosek pieces), and Harriet March Page (of San Francisco Cabaret Opera / Goat Hall Productions renown).

Departing

in

the

rosy

radiance, we reflect on a rambunctius routine that included

orchestrating page 17 of The Creation: IV and composing 11 of Vespers: IX. Audi Coelum (Part II), a

freak

storm in

Lagoon Valley,

ominous

nimbocumulus

and

paradoxical

balm,

a rendezvous with

Harriet at

Chamber

Arts

after a John Bilotta Trifles (libretto by John McGrew) rehearsal,

and a leap over the Bay Bridge to

Potrero Hill and

the Goat Hall mailbox and office before

cutting to the ceremony.