Showing posts with label Cats Dogs and Divas. Show all posts
Showing posts with label Cats Dogs and Divas. Show all posts

Wednesday, November 17, 2010

November 17 - Information Wanted


Second page of Psalm 40 "I Waited Patiently" edited, more 21st-Century Music work, and final traditional class session for the Theoreticians, wrapping up the Sting King of Pain harmonization and keyboard-solfege, playing three excerpts from Cats, Dogs, and Divas (XVI. The Proposttion, XVII. Crazy, and XVIII. His Needs -- quite well received), and finishing up an excellent round three of student compositions. China Garden paper-grading lunch, then a return for Rock History from Roger Waters (b. 1943) to Gregg Allman (1947), beyond which lie two-weeks-from-now's endeavors (N.B. the Prince should read "Darling Nikki"... oh, well....)



Home thereafter for another video adventure... For My Brother For My Brother: V. In Hollow Closets.

Friday, November 12, 2010

November 12 - Whoo Hoo!


Begin editing Psalm 39b and receive stunning news on the email from Charles Hiroshi Garrett, Editor of The New Grove Dictionary of American Music, who is trying to track down the hard-working Phillip George, offers a commission to update the Philip Glass article for their Second Edition (somehow Edward Strickland is unavailable), and invites me to write new articles on subjects drawn from their "need-of-coverage" list. I suggest an array of 10, including one on Erling, and all are accepted. In our back-and-forth, Charles relates than a writer has been commissioned to do an article on me -- extremely pleasing news, indeed. Additionally, Erling plans to start a Wikipedia listing... also great to learn.



Flying high with Harriet, it's time to head to Lick-Wilmerding for the Job: A Masque revival dress-rehearsal will take place,



arriving as John Bilotta's Trifles is finishing up (only a sitzprobe, in their case -- cannot imagine)!



We move and sing through our paces with Harriet March Page (God), Heather Klein (Elihu), Kate Bautch (Job's Wife), Marilyn Pratt (Job), Suzanna Mizell (Eliphaz the Temanite), and Maria Mikheyenko (Satan) -- through Scenes such as



VI. Man Is


Born to



Suffer



(as the sparks fly upward into air),



VII. Empty



Words,



VIII. Is There Someone, and



X. Who Are You



Job. Home late but still a studio-movie to do for




Cats, Dogs, and Divas: XXII. You Got That Right.

Thursday, November 11, 2010

November 11 - Diablos and Musica


Finish editing part one of Psalm 39 (four pages total) and provisionally do a Garbage Band recording before sallying forth to bestow Quiz 13 upon the Theoreticians, with excerpts drawn from Philip Glass, Roger Waters, and John Williams.



Make the jump to



Marin, paper-grading at Celia's and post-box greetings thereafter, arriving back in Fairfield a bit early



(so cool the heels at Blue Frog and actually catch-up totally with the Theory evaluations) for the Missouri Street Theatre's Sam Shepard True West callbacks, and it's a hotbed of activity, with



Harriet holding forth. Am relieved to see they have a competent Saul in the lineup, and hope for the best that I am not called upon, though will answer if Harriet and I are both asked to serve. Home eventually (the Mothers are dismissed relatively early) to do studio/movie video of



Cats, Dogs, and Divas: XXII. Love.

Wednesday, November 10, 2010

November 10 - Increasing


A third page of Psalm 39 edited as the siren sound calls



southwest past the



Lagoon



and



Sulfur Springs Mountains



to



Diablo Valley College for Dictation / Keyboard-Solfege on John Williams's The Force from the Star Wars saga, picking up the



increased monthly,



thereafter



depositing same near Peking-Tokyo for lunch and paper grading, returning for the evening class



in view of



suspicious smoke from



the Tesoro Refinery (a power outage required a poluting yet, from a distance,



picturesque burn-off). Rock History again makes its careful way, now from Jimi Hendrix (b. 1942) to Roger Waters ('43), looking ahead towards slightly later times.


A Natural Minor Scale - A B C D E F G A
A Harmonic Minor - A B C D E F G# A

Chords in C Major - C Dm Em F G Am Bdim C
Numerals in C Major - I ii iii IV V vi viio I


Pink Floyd - Instruments and Membership

Guitar - David Gilmour
Keyboards - Rick Wright
Bass - Roger Waters
Drums - Nick Mason


Listening - Identifications and Descriptions

George Harrison - Within You Without You
Roger Waters - Shine On You Crazy Diamond III
Jimmy Page - Stairway to Heaven
David Bowie - Ziggy Stardust
Elton John - Candle in the Wind



Home late for the next studio-movie Cats, Dogs, and Divas: XX. Oh Come On.

Tuesday, November 9, 2010

November 9 - Active Out



Another edited page of Psalm 39, plus the "studio-movie" video for Cats, Dogs, and Divas: XIX. Wisteria before a DVC dictation / board-harmony on Roger Waters's Shine On You Crazy Diamond III,



lunch at Elephant Bar,



returning for more paper-grading in the classroom, partly during a session of Joyce's



Vocal Jazz (including a performance by Samantha) and the



scholarship awards meeting.



Music Literature only makes in up to Alban Berg's Wozzeck, we yet look ahead towards the material for Quiz 11, retiring thereafter to



BJ's with Owen, Doug, and Melanie -- then home for more video embeds to the markalburgermusichistory.blogspot.com site, vis a vis 60's and 70's Rock.

Monday, November 8, 2010

November 8 - The Old One-Two


Some 21st-Century Music work before blasting off towards Mt. Diablo past



Long Barn and



Eden,



over the Benicia near



Martinez Refinery,



ever



closer



to DVC for dictation and board harmony on Philip Glass's Einstein on the Beach: BED, planning for the student teaching that begins in two weeks.



Thereafter it's lunch



and



coffee with Doug, recording










Psalm 37 ("O Rest in the Lord") and










38 ("Domine ne in furore") in the lab, re-recording everything since switching to the new Encore (saving MIDI files in the old program, which contains less potential "over-riding" information). The lingering means that the heading home takes place c. 7pm through Fairfield, and cannot resist descending upon the



Missouri Street Theatre, where Harriet is auditioning for the part of the Mother in Sam Shepard's True West. I am prevailed upon by the director to audition as well, for the part of Sam Kimmer ("Mr. Kipper" "Kimmer"....), and an enjoyable experience indeed, having not auditioned for a part in non-operatic theatre for no doubt more than 30 years -- ambiguous about getting the role, however... awful lot of other things to be done in the next few months...



such as beginning the editing of Psalm 39 and continuing to produce videos, including that for the studio/movie version of Cats, Dogs, and Divas: XVIII. His Needs.