Harriet out in rehearsals and meetings all day, and on the homefront in another interval extending our lease on summer, get carried away with videos, doing studio-movies for Cats, Dogs, and Divas: XII. Abortion
Page 3 of Psalm 37 edits and Quiz 12 for the Theoreticians -- Voice Leading, with excerpts drawn from Paul McCartney, Leonard Bernstein, Andrew Lloyd Webber, Roger Waters, and Willie Dixon. Barrage through the backroads
and
thence
to
Marin's
Celia's
for paper grading (bit of catch-up, but still behind),
post-box with multiple greetings,
beyond
north
and
west
through
various
viewsheds,
picking (more gerundic constructions?) up the slack with studio-movie Cats, Dogs, and Divas videos of the evening (not) as
A second page of Psalm 37 edits and studio-video for Cats, Dogs, and Divas: VIII. Condescension, Scorn, followed by Andrew Lloyd-Webber's Hosanna from Jesus Christ Superstar for dictation, keyboard-solfege, and board harmony (followed by impressive student compositions... also true yesterday... a lot of days, actually....). Beyond, it's China Garden paper-grade extravaganza and the night Rock History class all the way from Bob Dylan (b. 1941) to Jimi Hendrix (b. 1942) -- the leisurely pace of a specialty course -- and a second CDD movie: IX. Lady MacBeth of the Red Light District.
Begin Psalm 37 edits, allowing enough time to head to
Town Hall and
vote for the Democrats of our choice, greeting the locals,
and
dashing off to Diablo for dictation / board-harmony on Leonard Bernstein's Chichester Psalms (what a coincidence), picking up the new glasses at
Site for Sore Eyes, lunching at
Elephant (check the vertical lines in the neon -- definitely something up with the camera)
Bar, with paper grading until the evening class from Giacomo Puccini to W.C. Handy and Arnold Schoenberg -- leapfrogging to Charles Ives, Bela Bartok, Igor Stravinsky, Edgar Varese, and King Oliver... looking ahead to
20th-Century Music II. Returning (awful lot of gerundic constructings, after an awful lot of run-on sentence... so what else is new), there are videos to do at some point:
Mark Alburger (b. 1957, Upper Darby, PA) is an award-winning, eclectic ASCAP composer of postminimal, postpopular, and postcomedic sensibilities. He is Music Director of San Francisco Composers Chamber Orchestra and San Francisco Cabaret Opera / Goat Hall Productions, Editor-Publisher of 21st-Century Music (P.O. Box 2842 San Anselmo, CA 94960) and New Music, Music Critic for Commuter Times, and Instructor in Music Theory and Literature at Diablo Valley College. His principal teachers were Gerald Levinson, Joan Panetti, and James Freeman at Swarthmore College (B.A.); Jules Langert and Ted Blair at Dominican University (M.A.); Roland Jackson at Claremont University (Ph.D.); and Terry Riley. Dr. Alburger has composed 181 major works over the past 35 years, including chamber music, concertos, oratorios, operas, song cycles, and symphonies. His complete catalogue is being issued on discs from New Music ($15 / P.O. Box 2842, San Anselmo, CA 707-474-7273).
YouTube/DrMarkAlburger,
markalburger.blogspot.com,
markalburgerworks.blogspot.com, markalburgerevents.blogspot.com, markalburgermusichistory.blogspot. com, 21st-centurymusic.blogspot.com