Finish editing Psalm 28 (four pages total) and head to the city for the dress rehearsal, at Old First Presbyterian Church, of the San Francisco Composers Chamber Orchestra Animal, Vegetable, Mineral show, including Lisa Scola Prosek's Sonata, Michael Cooke's Love Letters, Mark Alburger's
Animal Farm: A. Cold-Blooded
Jorge Liderman's Flautando,
Loren Jones's Banyan, and
Terry Riley's In C. Home for more video madness with Twelve Preludes and Fugues ("Topical")...
Page 3 edited for Psalm 28, Quiz 6 for the Theoreticians (with musical examples from Carlo Gesualdo, Claudio Monteverdi, Heinrich Schutz, Archangelo Corelli, Henry Purcell, Antonio Vivaldi, and J.S. Bach), lunch and grading at Elephant Bar (in lieu of Celia's given the day's circumstances), then off to the third rehearsal, at Park Presidio United Methodist Church, of the
San Francisco Composers Chamber Orchestra's Animal, Vegetable, Mineral show. Later that evening, do videos for
Twelve Preludes and Fugues: IIIa. The Collective Brain and
A second page edited for Psalm 28 and J.S. Bach's Passacaglia in C Minor bassline and schematic harmony in Theory, whereupon Monty Bairos appears after class to say, "Can I talk to you? It's good news," the latter, of course always good to hear. Actually less good for him, as, per doctor's orders he must stand down a class, but am delighted to pick up same, which is A History of Rock course. So, at that moment, plans for the day are changed -- lingering in the lab to catch up with SF Composers Chamber Orchestra business, respond to Micrologus's positive comments re the DrMarkAlburger channel, and discover much of the Historical Music of Anthology (HAM) online. After taking a coffee-and-sub run to the bookstore and breaking with Doug, meet with Monty in his impressive, palatial upstairs office to discuss the course transition, then attend class that evening, for a lecture on Country Music. Will begin next week with 50's Rock, etc., but for now, head home for videos of
Begin editing Psalm 28, then Theory dictation/board-harmony re Henry Purcell's Dido and Aeneas: When I Am Laid. A double-paper-grading outing of China Garden (mid-day class) and Elephant
Bar (evening) follows,
returning for Music History, finishing up Medieval Music and looking towards the
Renaissance.
Out with Doug and our
favorite waitress thereafter, before a proceeding homeward to the videos du soire as
Twelve Preludes and Fugues ("Topical"): IVa. Death Is the Rain and
Mark Alburger (b. 1957, Upper Darby, PA) is an award-winning, eclectic ASCAP composer of postminimal, postpopular, and postcomedic sensibilities. He is Music Director of San Francisco Composers Chamber Orchestra and San Francisco Cabaret Opera / Goat Hall Productions, Editor-Publisher of 21st-Century Music (P.O. Box 2842 San Anselmo, CA 94960) and New Music, Music Critic for Commuter Times, and Instructor in Music Theory and Literature at Diablo Valley College. His principal teachers were Gerald Levinson, Joan Panetti, and James Freeman at Swarthmore College (B.A.); Jules Langert and Ted Blair at Dominican University (M.A.); Roland Jackson at Claremont University (Ph.D.); and Terry Riley. Dr. Alburger has composed 181 major works over the past 35 years, including chamber music, concertos, oratorios, operas, song cycles, and symphonies. His complete catalogue is being issued on discs from New Music ($15 / P.O. Box 2842, San Anselmo, CA 707-474-7273).
YouTube/DrMarkAlburger,
markalburger.blogspot.com,
markalburgerworks.blogspot.com, markalburgerevents.blogspot.com, markalburgermusichistory.blogspot. com, 21st-centurymusic.blogspot.com