Showing posts with label San Francisco Composers Chamber Orchestra. Show all posts
Showing posts with label San Francisco Composers Chamber Orchestra. Show all posts

Saturday, September 25, 2010

September 25 - Animal, Vegetable, Mineral



SAN FRANCISCO
COMPOSERS CHAMBER ORCHESTRA
Mark Alburger, Music Director

Animal, Vegetable, Mineral

8pm, Saturday, September 25, 2010, Old First Church, San Francisco, CA
Mark Alburger and John Kendall Bailey, conducting

Program



Lisa Scola Prosek
Piano Sonata



Jorge Liderman
Flautando



Michael Cooke
Love Letters
I. GAC
II. Minerva's Dance



Mark Alburger
Animal Farm: Grand Zoological Fantasy-Variations
Part 1 - In Cold Blood
I. Wasps
II. Flies
III. Spiders
IV. Crabs
V. Sharks
VI. Frogs
VII. Turtles
VIII. Snakes

Intermission

Loren Jones
Banyan
I. River
II. Forest
III. Desert

Terry Riley
In C

***


Begin editing Psalm 29, then off toward the Vaca Mountains, to get the requisite buzz-cut, adjacent to



intriguing enterprises,



swinging



by



print shop to prepare Animal Farm for tonight's performance, then homeward for Harriet, who will be narrator in same. Poetic superscriptions are


The Wasp
Ogden Nash

The wasp and all his numerous family
I look upon as a major calamity.
He throws open his nest with prodigality,
But I distrust his waspitality.


The Fly
William Blake

Little Fly,
Thy summer's play
My thoughtless hand
Has brushed away.

Am not I
A fly like thee?
Or art not thou
A man like me?

For I dance
And drink, and sing,
Till some blind hand
Shall brush my wing.

If thought is life
And strength and breath
And the want
Of thought is death;

Then am I
A happy fly,
If I live,
Or if I die.


A Noiseless Patient Spider
Walt Whitman

A noiseless patient spider,
I mark'd where on a little promontory it stood isolated,
Mark'd how to explore the vacant vast surrounding,
It launch'd forth filament, filament, filament out of itself,
Ever unreeling them, ever tirelessly speeding them.

And you O my soul where you stand,
Surrounded, detached, in measureless oceans of space,
Ceaselessly musing, venturing, throwing, seeking the spheres to connect them,
Till the bridge you will need be form'd, till the ductile anchor hold,
Till the gossamer thread you fling catch somewhere, O my soul.


Strayed Crab
Elizabeth Bishop

This is not my home. How did I get so far from water?
It must be over that way somewhere. . . .


The Maldive Shark
Herman Melville

About the Shark, phlegmatical one,
Pale sot of the Maldive sea,
The sleek little pilot-fish, azure and slim,
How alert in attendance be.
From his saw-pit of mouth, from his charnel of maw,
They have nothing of harm to dread,
But liquidly glide on his ghastly flank
Or before his Gorgonian head;
Or lurk in the port of serrated teeth
In white triple tiers of glittering gates,
And there find a haven when peril's abroad,
An asylum in jaws of the Fates!
They are friends; and friendly they guide him to prey,
Yet never partake of the treat --
Eyes and brains to the dotard lethargic and dull,
Pale ravener of horrible meat.


The Frogs
Johann Wolfgang von Goethe

A Pool was once congeal'd with frost;
The frogs, in its deep waters lost,

No longer dared to croak or spring;
But promised, being half asleep,
If suffer'd to the air to creep,

As very nightingales to sing.

A thaw dissolved the ice so strong,--
They proudly steer'd themselves along,
When landed, squatted on the shore,
And croak'd as loudly as before.


The Turtle
Ogden Nash

The turtle lives 'twixt plated decks
Which practically conceal its sex.
I think it clever of the turtle
In such a fix to be so fertile.


What the Rattlesnake Said
Vachel Lindsay

The moon's a little prairie-dog.
He shivers through the night.
He sits upon his hill and cries
For fear that I will bite.

The sun's a broncho. He's afraid
Like every other thing,
And trembles, morning, noon and night,
Lest I should spring, and sting.



15 minutes before the show, the place is filling up (always a good sign), and the concert goes very well, returning for the evening's Twelve Preludes and Fugues ("Topical") videos --



VIIb. Gonna Get and



VIIIa. People Can Fall Down.

Thursday, September 23, 2010

September 23 - Collectively Speaking


Page 3 edited for Psalm 28, Quiz 6 for the Theoreticians (with musical examples from Carlo Gesualdo, Claudio Monteverdi, Heinrich Schutz, Archangelo Corelli, Henry Purcell, Antonio Vivaldi, and J.S. Bach), lunch and grading at Elephant Bar (in lieu of Celia's given the day's circumstances), then off to the third rehearsal, at Park Presidio United Methodist Church, of the



San Francisco Composers Chamber Orchestra's Animal, Vegetable, Mineral show. Later that evening, do videos for



Twelve Preludes and Fugues: IIIa. The Collective Brain and



IVb. Death Is the Rain.

Monday, September 20, 2010

September 20 - Ups


Edit Psalm 27 (12 pages total) before a Theory dictation/board-harmony of Claudio Monteverdi's L'Ofeo: Tu se' morta, thereafter playing three Youtube videos -- Psalm 6: 1-5; The Twelve Fingers: VIII. Sonata; and Ecclesiastes: III. For Everything -- latter two by request, all quite well received.










Tritone-Orchestra record Psalm 26 in the lab then



blitz out



across the Bay



and through



town to second



Animal, Vegetable, Mineral



San Francisco



Composers Chamber Orchestra



rehearsal.



Home for more Twelve Preludes and Fugues ("Topical") videos... VIa. The Examined Life and



Vb. Empedocles Was Wrong
.

Friday, September 17, 2010

September 17 - Whatever It Takes



Edit Page 8 of Psalm 26 ("Judica Me") and do the first video of the day (Twelve Preludes and Fugues ("Topical"): IIIb. The Collective Brain),


proceeding apace in space through



Solano



and



Marin,



beyond



the



sunshine



to



San Francisco Composers Chamber Orchestra Animal, Vegetable, Mineral first rehearsal at Park-Presidio United Methodist, including

Michael Cooke - Love Letters: Minerva's Tango and G.A.C.

Mark Alburger - Animal Farm: Grand Zoological Fantasy-Variations: Part 1 - In Cold Blood

Terry Riley - In C



Loren Jones - Banyan



and



Jorge Liderman -



Flautando.



Return to point of origin for another fugue -- VIIIb. People Can Fall Down.

Wednesday, July 14, 2010

July 14 - Composers Cooperative



Transfer and edit the August 2010 issue of 21st-Century Music from the blog to Word, save as pdf, send over to Erling for the archives, run it down to Copy World in Berkeley to print, then across the now $6-at-peak-hours Bay Bridge for the first time to Lisa Scola Prosek's salon, with David Graves, hearing the former's Sonata, and the latter's String Quartet, as well as the new videos for Psalm 6: 1-5, Ecclesiastes: VII. Day of Death, and Job: VIII. Is There Someone.



We break camp for



Erling's and



Composers Chamber Orchestra board meeting, and it seems a perfect time to begin video for



A Walk Through California: San Francisco (SFCCO Room and Board). At home successfully incorporate still shots for the first time in iMovie resulting in visuals for



San Rafael News: V. Lifespan. Oh yes, and more pages prepared for publication of Symphony No. 2: II.

Sunday, June 20, 2010

June 20 - Climbing


Leave for Lisa Scola Prosek's in what seems (with the late schedule of late) the middle of the night, but it's mid-morning, and by arrival, close to noon, for the annual San Francisco Composers Chamber Orchestra retreat with



Erling Wold,



Lisa, and



Martha Stoddard. There's time thereafter to sneak down to



Half Moon Bay's



Redondo Beach



(evidently a favorite)



to



video



Songs on Crane: V. The Heart (In the Desert)

In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, "Is it good, friend?"
"It is bitter - bitter," . . .
"But I like it
Because it is bitter,
And because it is my heart."



Return


to


the final performance of Fresh Voices: Program B (a pleasure once again to hear Aldan Jenks's Letter from Linda, Robert Denham's Sutter Creek [enriched by new visuals, which the dedicated Wayne Wong had requested], David Garner's Medea Alone, and Jeff Myers's The Hunger Art), and finally home, lamentably laden with a tombstone set from a negligent party, alas. No matter. Directors Harriet, Meghan, and I soldier on, and upon return edit and post more



Waiting for Godot, including XXIX. His Hat! and incorporate the first movement of Magnificat into Vespers.